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arte-Theme - Evening
Under Tension
"The impact of electricity"
Thursday, April 25th 2002 -
22:45pm
Camera: Manfred Hulverscheidt, Antje Schäfer Sound, Assistence (Director and Editing): Simin Mohammadi Coordination: Cornelia Volmer Book, Mixing, Edit: Manfred Hulverscheidt Production: HDTVideo, Berlin, arte/ZDF, Mainz, Tag/Traum, Cologne.


 

A mysterious force, an invisible hand that steers, directs and regulates. Difficult to define in a few sentences, the select few schooled in natural sciences might use the term "transport of load particles". The rest of us call it electricity.
The 1,883 pages of a contemporary electronics catalogue display some 50,000 articles bearing wondrous names: "hot' & 'cold conductors", "monostable TK-print relays", "electrolyte capacitor", "foot angle transformer", "choking coil" alongside more familiar ones like "monitor", "dictation machine" or "CD burner". It's as if you'd unscrewed the back of the TV, emptied the contents on the floor and given every single item a name and function, blindly trusting it would all make perfect sense to someone else putting a set together. Flicking through the catalogue, I discover that for years I've unwittingly been using an "interim dimmer" on my standard lamp.
With a vocabulary as impenetrable as his tangle of cables, it's better that the portrait of our Electroman should not be over-burdened with lengthy descriptions.
Explanations are rare in this film, but greater store is set on those few things that are spelt out. American historian Thomas P. Hughes, author of the book "American Genesis" reports on his research into electricity. Compared to independent inventors like Thomas Edison, he sees his occupation as an attempt "to understand the essence of the American character, at least for me". He reminds us that we're only just beginning to grasp the consequences of the activities of those individuals who, inspired by the potential of electricity, created inventions which professionals went on to adapt in order to build systems. System building is at the core of the electrical age.
The gloomy warmth of Edison's electric bulb was replaced by the penetrating cold of modern light. Our forefathers calculated the explosive power of atomic weapons in the only way possible - electrically generated simulations - and then set them off with gigantic bolts of electricity. Self-made men like Nicola Tesla, Lee de Forest, Edwin Armstrong and many others sought out their problems and solutions independently of teams, only for their individual creativity to be replaced by the R&D-departments of big companies.
A "secondary nature" arose, both a replacement for the natural environment and one that seems to withdraw systematically from the influence of the productive man. "I don‘t think we realized or our fathers and forefathers and mothers who lived around 1900 I don‘t think they realised the responsibility they had for the world they were creating.“

 

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