Tschak-Tschak
Funeral
service for newspaper and TV-magnate Axel Cäsar Springer
Camera:
TV-material,
source unknown Image
/sound/arrangement/ editing:
HDT
Production:
DFFB1985.
Length:
3:20.
Rescuing
a tape of current-events items from erasure by the usual cameratape-recycling
turned up a treasure trove of material. Withholding all commentry
on the particular (temporally specific) event that served
as source for the film, I attempted to incorporate the sound
material of this public ritual into a coherent sequence.
I was fortunate in that, at the same time as I was working
on Tschak-tschak, Gabor Bódy in collaboration
with Martin Potthoff was holding a seminar with the obscure
title Temporal Transgraphy in which our assignment
was to transfer the time-rhythm-machine VIDEO onto diskettes
and then playfully rearrange the material.
Tschak-tschak
utilizes these techniques and the playfullness they allow,
particularly by establishing and recalling files that consist
of sound sequences. (note 1995: now, when editing on hard-disks
of high-powered computers, I feel the more that we were on
the right train).
During the final montage work on the film, I consciously recognized
the primacy of hand-written notes and emotional progressions,
to which the preprogrammed ideas in the film had to be subordinated.
Thus the long musical progressions were created by manually
running the source tape backwards at half speed, thereby altering
instantly the entire set of parameters of the temporal transgraphy
... I have often wished my work had made Gabor laugh, but
he died in the course of the seminar.
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